By Antony Gormley,Mark Holborn
Antony Gormley occupies an strange place as a hugely populist sculptor identified mainly for his Angel of the North (1998), a countrywide landmark within the united kingdom who's additionally broadly considered as probably the most intellectually hard artists operating across the world. he's grounded in archaeology and anthropology, and appears to Asian and Buddhist traditions up to to Western sculptural heritage, which he believes reached a punctuation aspect with Rodin. this can be the 1st e-book to target Gormley's options on sculpture, positioning his profession and creative philosophy on the subject of its historical past.
The e-book is established thematically over 4 chapters: the 1st explores Gormley's recommendations at the physique, time and house when it comes to significant works together with eu box (1993) and 'Still status' (2011), Gormley's rehang of the classical rooms on the Hermitage Museum in St Petersburg. the second one bankruptcy, 'Sculptors', used to be first introduced as a chain of 5 lectures for the BBC; in each one, Gormley discusses a sculpture he considers to be of big artistic value: Epstein's The Rock Drill (191315), Brancusi's The never-ending Column (193538), Giacometti's l. a. position (194849), Joseph Beuys's Plight (1985) and Richard Serra's the problem of Time (2005). within the 3rd bankruptcy, Gormley outlines the effect of Buddhist and Jain sculpture on his paintings and concepts, and the fourth showcases the artist's newest sculptures.
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